2009: Institute for Musical Research, Directions in Music Research Seminars, University of London, School of Advanced Study, London, UK. 2009: Invited Speaker: Man Made, Dana Centre – Science Museum, London, UK. 2013: Difusão Sonora de Música Eletroacústica, Porto Alegre, Brazil. 2005: Invited Speaker: British Computer Society (BCS), Plymouth, UK. I served as a research scientist at SONY Computer Science Laboratory in Paris before moving to the University of Plymouth in 2003 to establish the Interdisciplinary Centre for Computer Music Research (ICCMR). PhD Thesis: Application of Intermediate Multi-Agent Systems to IntegratedAlgorithmic Composition and Expressive Performance of Music. 2012: Invited Speaker: Plymouth International Book Festival, Plymouth, UK. Video screenshot by Leslie Katz/CNET There's a fungus among us -- and it's quite talented. Invited Speaker: Medicine Unboxed, Cheltenham, UK. Should you be interested in appointing me to conduct an examination at your institution, please do not hesitate to contacting me to check availability. 2009: Music Department Research Forum, University of Bristol, UK. A-Life for Music: Music and Computer Models of Living Systems. 2005: Department of Computer Science, University of Exeter, Exeter, UK. eduardo.miranda@plymouth.ac.uk adolfo@nics.unicamp.br Abstract. Biographical notes: Eduardo R. Miranda is a Professor in Computer Music and Head of the Interdisciplinary Centre for Computer Music Research (ICCMR) at the University of Plymouth, UK. Música Eletroacústica, Sala dos Sons, Porto Alegre. 2004: St Andrew’s Church, Ten Tors Orchestra, Plymouth, UK. 1) Inventor: Eduardo Reck Miranda c/o Sony France S.A., “Morphological categories for voice synthesis”, Europe: EP 1 160 764 A1, Publication 05/12/2001; Japan: P2002-23775A, Publication 04/06/2001. Sunset Center, Carmel-by-the-Sea, California. 20 Feb 2016: NPR Washington. 1996: IEE South East Section, Edinburgh, UK. noch nicht besonders gut“, sagt Eduardo Miranda, Computerwissenschaftler an der englischen Plymouth University. 1995: OSPA (Porto Alegre Symphony Orchestra), Official Concert series, Porto Alegre, Brazil. ", Part 2006: Jornadas de Música Electroacustica, Montevidéo, Uruguay. Prof Eduardo R. Miranda, Plymouth University, ICCMR (Interdisciplinary Centre for Computer Music Research), Department Member. If you have the appropriate software installed, you can download article citation data to the citation manager of your choice. Schlägt das Herz vor Freu - de oder aus Furcht? [ https://www.bbc.co.uk/news/av/technology-30182600/the-computer-circuits-made-of-slime-mould ]. Eduardo Miranda Interdisciplinary Centre for Computer Music Research (ICCMR) Plymouth University, UK eduardo.miranda@plymouth.ac.uk ABSTRACT This work describes a new approach to … X Bienal de Música Brasileira, Rio de Janeiro. Usage Restrictions. Technology drives the music industry and influences the way we consume, produce and use audio. The Miranda machine is an abstract Turing-machine-like processor, which manipulates a sequence of DNA symbols according to a set of programming instructions. 2012: Sound to Sea, St Andrew's Minster, Plymouth, UK. 'Pulsed Melodic Affective Processing – Using Music for Natural Affective Computation and Increased Processing Transparency', Neural, Parallel, and Scientific Computations, 'Histogram Mapping Synthesis: A Cellular Automata-Based Technique for Flexible Sound Design', 'On Building Practical Biocomputers for Real-World Applications: Receptacles for Culturing Slime Mould Memristors and Component Standardisation', 'A Method for Growing Bio-memristors from Slime Mold', 'Composing with Biomemristors: Is Biocomputing the New Technology of Computer Music? I studied for a degree in computing, but I have always been passionate about music. This process generates a pool of new DNA strands, which are subsequently translated into rhythms. --- I STILL AM IN THE PROCESS OF SORTING THE PUBLICATIONS 2017: University of Regensburg, Institute of Medical Microbiology and Hygiene, Regensbug, Germany. History. 2001: 3a. Michael Mcloughlin, Luca Lamoni, Ellen C. Garland, Simon Ingram, Alexis Kirke, Michael J. Noad, Luke Rendell, and Eduardo Miranda. Programme: The Forum. Member of the Editorial Board: Organised Sound, Cambridge University Press. A selection of interviews and news articles from the the international press are available on-line with Scoop.It. University of Plymouth; Professor, Engineering & Technology; United Kingdom; My Publications. [ https://www.bbc.co.uk/programmes/b09hr3w6#playt=0h34m56s ]. Plymouth is a great place to live and work. 4) Inventor: Eduardo Reck Miranda c/o Sony France S.A., “Synthesis of Ultra-Linguistic Utterances”, USA: US 22002/0029145 A1, Publication 07/03/2002. Music and Computer Models of Living Systems, International Journal of Unconventional Computing, Aesthetic Decisions in Computer-Aided Presenter: BBC diplomatic correspondent, Bridget Kendall. 2015: Mainly Mozart, Brendan Nguyen (piano), Atkinson Hall, La Jolla, San Diego, California, USA. 2013, University of Plymouth, Nikolas Valsamakis. (piano), T-Son 61, Studio PANaroma. PhD Thesis: Data Sonification in Creative Practice. Jornadas de Música Electroacustica, Montevidéo. Only peer-reviewed research Scientific Computations, International 2015: Invited Speaker: Mainly Mozart Festival, Mozart & the Mind, San Diego, USA. I resigned and went back to college to study for a music degree. 2004: School of Music, Napier University, Edinburgh, UK. [ https://www.bbc.co.uk/programmes/p00n1xxg ]. 1999: Department of Computer Systems and Engineering, University of Kobe, Kobe, Japan. Currently in charge of computer music research at the University of Plymouth, England, Eduardo Reck Miranda is devoted to the quest for new forms of musical expression, independent of fashion and commercial tendencies, trying to amalgamate a diversity of styles with unorthodox but meticulous compositional methods. 04 May 2018, EBS TV South Korea. and Theoretical Artificial Intelligence, International 1995: XI Bienal de Música Brasileira Contemporânea, Rio de Janeiro, Brazil. [ https://www.scoop.it/topic/eduardo-r-miranda-impact-press ]. I wish I had the opportunity over 20 years ago to study the courses and research programmes that I helped to create here in Plymouth. Instituto de Arts da UNESP, Sao Paulo, SP, Brazil. 2001: Invited Speaker: Experimenta 2001: Thought as Design, Lisbon, Portugal. Presenter: Tom Service. Auflage 2012: Einband: GEB: Musicians are able to produce an expressive performance of a fixed score by varying the tempo and dynamics of their playing. Narrating Enterprise with Plymouth University - Eduardo Miranda, Professor in Computer Music. 2017, University of Plymouth, Aurelien Antoine. 2013, University of Plymouth, Christian Dimpker. 2016: Peninsula Arts Contemporary Music Festival, The House, Plymouth, UK. 26 Nov 2014, BBC World. 2011: Música Eletroacústica, Sala dos Sons, Porto Alegre, Brazil. The digital headwear, being developed by Professor Eduardo Miranda at the University of Plymouth, could be linked to portable devices like iPhones in the future. soothing, its sound blipped, splattered and dripped, ending in a Studies Computer Music, Music Technology, and Music Composition. 1998: Department of Artificial Intelligence, Free University of Brussels, Brussels, Belgium. Ultraschall Festival, Deutchlandradio Kultur, Sophiensaele, series, Porto Alegre. Access to city map with the University location and campus map (the venue is only 10 mins walk from Plymouth rail station) Should you wish for more information, please do not hesitate to contact: Eduardo Miranda - eduardo.miranda AT plymouth.ac.uk 2003: X Jornadas de Informatica y Electronica Musical, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain. "Today marks a fascinating musical Lots of nature. This piece harnesses a … 2015: Festsaal of TU Wien, Vienna, Austria. Uma viagem musical do Brasil ao Canadá, Luciane Cardassi Plymouth, United Kingdom Encuentros / Encounters at DePaul, DePaul University, the covers of the magazines below to read the articles. I am head of the Interdisciplinary Centre for Computer Music Research (ICCMC), which I created at the University of Plymouth in 2004. 2003: Slade College of Arts, UCL, London, UK. Festival Elektronischer Frühling, Vienna. 3) Inventor: Eduardo Reck Miranda c/o Sony France S.A., “Vocal sounds granular synthesis by means of cellular automaton”, Europe: EP 1 160 765 A1, Publication 05/12/2001; Japan: P2002-6873A, Publication 04/06/2001. Programme: Episode 23 – Biomusic Special. 2011: Electric Voice Theatre with Frances Lynch, Kettle's Yard, Cambridge, UK. Presenter: L J Rich. I speak 4 languages and have worked at universities in 5 different countries. proceedings, journals and book chapters. 2019: University of Milan, Department of Materials Science, Milan, Italy. PhD Thesis: An Investigation into using Artificial Intelligence to Aid Composition of Timbre using Orchestral Instruments. 20 Dec 2012: BBC Radio. Das Musikinstrumenten-Museum, Curt Sachs-Saal, Berlin. University professor and leader of MA Music, Eduardo Miranda was invited to speak at the Royal Institution of Great Britain to explain our research connecting music, the brain and technology. I have supervised 13 doctoral students to successful completion at the University of Plymouth within the last 10 years. UNYASI Festival, South African Electro-Acoustic Music Festival director and musician Eduardo Miranda has put the decomposition into composition: ... a PhD student at Plymouth University, with Eduardo Miranda. 2017: Invited Speaker: Mainly Mozart Festival, Mozart & the Mind, San Diego, USA. Miranda has created something truly unique ... ... the first piece of music composed for an interactive biosystem. Oder nur überrascht? 2001: Seoul International Computer Music Festival, Seoul, South Korea. Baghdad Lullabies, Illios Happening, Frances M Lynch Presenter: Linda Wertheimer. Biocomputers: Making music from mold. Eduardo R. Miranda, Alexis Kirke, and Qijun Zhang Interdisciplinary Centre for Computer Music Research (ICCMR) University of Plymouth Plymouth, PL4 8AA United Kingdom {eduardo.miranda, alexis.kirke, qijun.zhang}@plymouth.ac.uk As early as the 1950s and early 1960s, pioneers such as Lejaren Hiller, Gottfried Michael Koenig, Iannis New Resonances Festival, Wilton's Music Hall, London. 2016: Symmetry Festival, Concert Hall of the Collegium Hungaricum Vienna, Vienna. 2001: Synthèse Festival, Bourges, France. Schwitzt der Zuschauer, weil er nervös ist? Image: Eduardo Miranda/Plymouth University. 2011: Going North, Luciane Cardassi (piano), Rolston recital Hall, Banff, Canada. 2005: Department of Music, National University of Ireland, Maynooth (NUIM), Ireland. 2019: University of Berkeley, Centre for New Music and Audio Technologies, Berkeley, CA, USA. 2014, University of Plymouth, Hans Holger Rutz. 2016: Invited Speaker: NeuroTechX, London, UK. 'Mother Tongue' includes a selection of works from his research into … Professor Eduardo Miranda, director of the Contemporary Music Festival, discusses the 'MULTIVERSE' theme of this year's edition and describes the … 1999: L’Atelier Ina-GRM, Maison de la Radio France, Paris, France. Symmetry Festival, Concert Hall of the Collegium Hungaricum Vienna, Vienna. 05 Jun 2015, EITB TV – Bilbao, Spain. "When you tell it to play back, it will scramble the notes you sent in. Programme: Today. Teatro Maria de Lourdes Sekeff. 2015: Music Tech Festival - London, LSO St Luke's, London, UK. [ https://www.eitb.eus/es/television/programas/eitb-kultura/videos/detalle/3266240/video-technarte/ ]. Presenter: Tom Service. 08 Feb 2014, BBC World. [ https://www.volvocars.com/uk/about/humanmade/discover-volvo/music-of-the-mind ]. Researcher Markus Buehler at MIT has been working with musical representations of proteins to enquire about novel protein structures. Multiplex 2002: Música, Tecnologia e Artes Visuais, Goethe Eduardo Reck Miranda. Markov Chains modulated by Membership Matrices related to the internal structure of the sound grains are used to control the evolution of the sound in time. CY - Plymouth UK. [ https://www.npr.org/2016/02/20/467468440/how-brainwaves-allow-paralyzed-musicians-to-continue-playing?t=1543415806625&t=1574248477500 ]. Chile. It was a great job. The Narrating Enterprise film was a concept thought up by the Plymouth based agency The Bridge to promote the interesting and enterprising staff within the University of Plymouth. neuroscience of music, biomusicology, eeg, university of Plymouth, Plymouth centre for computer music research, brain-computer interface, BCI, music, computer music, acousmatic 2010: Uma viagem musical do Brasil ao Canadá, Luciane Cardassi (piano), T-Son 61, Studio PANaroma. Presenter: Dennis Hong. 2000: Invited Speaker: Festival Música Viva, Lisbon, Portugal. This piece harnesses a … ", 11th International Symposium on Computer Music Multidisciplinary Research. EG is like an episode of The Twilight Zone, except time doesn't stop and then everything shatters. Série Concertos do Século XX, Belo Horizonte. Electric Voice Theatre with Frances Lynch, Kettle's Yard, polycephalum Memristors', Guide to Unconventional Computing for Music, 'Experiments in Sound and Music Quantum Computing', Miranda ER, Kirke A, Braund E & Antoine A, 'On Unconventional Computing for Sound and Music', 'Recomposing Beethoven with Music Neurotechnology', 'On computer-aided composition, musical creativity and Brain Asymmetry', The Act of Musical Composition: Studies in the Creative Process, 'Physarum-Based Memristors for Computer Music', Advances in Physarum Machines Sensing and Computing with Slime Mould, 'Brain-Computer Music Interfacing: Interdisciplinary Research at the Crossroads of Music, Science and Biomedical Engineering', Miranda E, Lloyd D, Josipovic Z & Williams D, 'Creative Music Neurotechnology with Symphony of Minds Listening', 'Pulsed Melodic Processing – the Use of Melodies in Affective Computations for Increased Processing Transparency', 'Regarding music, machines, intelligence and the brain: An introduction to music and AI', Readings in Music and Artificial Intelligence, 'On computer-aided composition, musical creativity and brain asymmetry', 'On Computer-aided Composition, Musical Creativity and Brain Asymmetry', Guide to Computing for Expressive Music Performance, 'An Overview of Computer Systems for Expressive Music Performance', 'Evolutionary Morphing for Music Composition', 'An Ontomemetic Approach to Musical Intelligence', 'A Biophysically Constrained Multi-Agent Systems Approach to Algorithmic Composition with Expressive Performanc', 'Digital Sound Synthesis for Multimedia Audio', Wiley Encyclopedia of Computer Science and Engineering, 'Cellular Automata Sound Synthesis: From Member of the Editorial Board: Journal of Sonic Studies. He works at the “crossroads of music and science”. 2004: Department of Music, Institute of Fine Arts, Federal University of Rio Grande do Sul (UFRGS), Porto Alegre, Brazil. I had a promising career ahead. Berlin. Narrating Enterprise with Plymouth University - Eduardo Miranda, Professor in Computer Music The Narrating Enterprise film was a concept thought up by the Plymouth … For an informal discussion to find out more about the role then please contact both Prof Eduardo Miranda by email eduardo.miranda@plymouth.ac.uk This is a full-time position working 37 hours per week on a fixed-term basis for 12 months in the first instance due to funding. Seoul International Computer Music Festival, Seoul. 1999: Kytano Symbiotic Systems Lab, University of Tokyo, Tokyo, Japan. Should you wish to join ICCMR to study for a postgraduate degree under my supervision, please do not hesitate to contact me to discuss your interests. 2007: Electronic Music Studio, Technical University of Berlin, Germany. Chapter 5: Music of the Mind. Author information: (1)Interdisciplinary Centre for Computer Music Research (ICCMR), School of Humanities and Performing Arts, University of Plymouth, Plymouth, PL4 8AA, United Kingdom. Alexis Kirke/Eduardo R Miranda: Verlag: Springer Verlag GmbH: Umfang: XIV, 262 S. Erscheinungsdatum: 01.08.2012: Auflage: 1. [ https://www.bbc.co.uk/news/science-environment-31655846 ]. 1999, University of Glasgow, Kenneth McAlpine. Music & Science 2018 10.1177/2059204318757021 Download Citation . 2019, University of Plymouth, Nuria B. Filella. In this paper we present a model for granular synthesis in which the internal content (spectrum) of grains are defined as Fuzzy Se ts. Credit: Eduardo Miranda/Plymouth University Pioneering technology has been used to unite a string quartet and four people living with severe disability for a world first in musical performance. 2015: Das Musikinstrumenten-Museum, Curt Sachs-Saal, Berlin, Germany. Before I moved to Plymouth I worked as a research scientist for Sony Computer Science Lab in Paris. 1998: Sala Hal, computer music series, Barcelona, Spain. OSPA (Porto Alegre Symphony Orchestra), Official Concert 1998: Série Concertos do Século XX, Belo Horizonte, Brazil. 2016: Juan Crisóstomo de Arriaga Music Conservatoire, Bilbao, Spain. I decided to follow my passion for music. A hat that measures brain signals could be the future of music on the go. 2010, University of Plymouth, Peter Beyls. (http://jcms.org.uk/). 2011: Peninsula Arts Contemporary Music Festival, Plymouth, UK. [ http://geekchic.libsyn.com/episode-23-biomusic-special ], b) School of Humanities & Performing Arts Post-Graduate. Programme: Music Matters. the top 5% most highly cited papers in [his] field worldwide", International Journal of Music Science, Technology and Art, Journal of Artificial Societies and Social Simulation, Simulation: Transactions of the Society for Modeling and Simulation International, Neural, Parallel, and Institute of Electronic Music and Acoustic, Laboratoire Bordelais de Recherche en Informatique (LaBRI), Staatliches Institut fur Musikforschung (National Institute for Music Research), Edgar Varèse Visiting Professor of Computer Music. PhD Thesis: Brain-Computer Music Interfacing: Designing Practical Systems for Creative Applications. Leave a Reply Cancel reply. Name * Email * Website. Eduardo Reck Miranda Interdisciplinary Centre for Computer Music Research (ICCMR), Faculty of Arts and Humanities, Plymouth University, The House, Plymouth, PL4 8AA, United Kingdom {jaime.serquera, eduardo.miranda}@plymouth.ac.uk ABSTRACT This paper presents a new method for sound synthesis. Programme: Music Matters. Eduardo Reck Miranda. Short documentary on biocomputing research leading to a musical performance, developed at ICCMR (Plymouth University, UK) with Prof Eduardo Miranda (composer) and Ed Braund (PhD research assistant). It sounds like science fiction, but music made via MRI scans of our heads is here. 20 Feb 2013: BBC Radio 3. 1999: Temporada de Conciertos 1999 del la Casa de las Americas, Ciudad de la Habana, Cuba. (voice), Harstad. COMPOSITION AS GAME STRATEGY: MAKING MUSIC BY PLAYING BOARD GAMES AGAINST EVOLVED ARTIFICIAL NEURAL NETWORKS Eduardo Reck Miranda eduardo.miranda@plymouth.ac.uk [ http://www.bbc.co.uk/radio4/science/allinthemind_20041207.shtml ]. Plymouth University, UK eduardo.miranda@plymouth.ac.uk ABSTRACT This paper describes the implementation of gestural map-ping strategies for performance with a … eduardo miranda, composer, electronic and computer music, contemporary music, artificial intelligence and music research, ... [36] Miranda, E. R. (2010). 2006: Sonic Fusion Festival, Edinburgh, UK. Presenter: Jon Astorquiza. Presenter: Neil Bowdler. Member of the Editorial Board: Leonardo Music Journal, The MIT Press. Mainly Mozart, Marriott La Jolla, San Diego, California. 2009: Cybernetics, School of Systems Engineering, University of Reading, Reading, UK. The biocomputer listens to the piano and reacts to it in real time. Institut, Porto Alegre. Nobody else knew how to use computers to make music – not even my teachers. 1998: Buenos Aires no dorme, Buenos Aires, Argentina. Eduardo Miranda, a professor at the UK's Plymouth University, has figured out how fungus can make music. In the 1980s I became a pioneer of using Artificial Intelligence to compose music. ', XVII Annual Congress of the Brazilian Computing Society / IV Brazilian Symposium on Computer Music, 'Machine Learning and Musical Invention: A Case Study', 7th International Symposium on Electronic Arts (ISEA), 'Computer-Assistance in Concept Formation and Musical Invention', International Computer Music Conference - (ICMC 1996), 'Music Representation: Between the Musician and the Computer', Artificial Intelligence in Music Education Workshop / World Conference on Artificial Intelligence in Education, 'Changes in music tempo entrain movement related brain activity', 'The art of rendering sounds from emergent behaviour: cellular automata granular synthesis', Euromicro Workshop on Multimedia and Telecommunications, [California Academy of Sciences, Golden Gate Park, San Francisco, USA] - [ISIS Neutron and Muon Source, Rutherford-Appleton Labs, Didcot, UK] - [Theatre 1, Roland Levinsky Building, Plymouth University, Plymouth UK[, Interdisciplinary Centre for Computer Music Research (ICCMC), BSc (Hons) Computing, Audio and Music Technology, https://www.scoop.it/topic/eduardo-r-miranda-impact-press, https://www.volvocars.com/uk/about/humanmade/discover-volvo/music-of-the-mind, https://www.bbc.co.uk/news/av/science-environment-35557908/disabled-musicians-create-music-from-brainwaves, https://www.allodocteurs.fr/emissions/le-magazine-de-la-sante/le-magazine-de-la-sante-du-18-02-2016_25724.html, https://fox5sandiego.com/2015/09/22/learn-about-your-brain-with-music/, https://www.eitb.eus/es/television/programas/eitb-kultura/videos/detalle/3266240/video-technarte/, https://www.bbc.co.uk/news/av/technology-30182600/the-computer-circuits-made-of-slime-mould, https://www.bbc.co.uk/news/technology-26081451, https://www.bbc.co.uk/programmes/b09hr3w6#playt=0h34m56s, https://www.bbc.co.uk/programmes/b08g47yt, https://www.npr.org/2016/02/20/467468440/how-brainwaves-allow-paralyzed-musicians-to-continue-playing?t=1543415806625&t=1574248477500, https://www.bbc.co.uk/programmes/b053bxy1, https://www.bbc.co.uk/news/science-environment-31655846, https://www.bbc.co.uk/programmes/b01qqsf1, https://www.bbc.co.uk/news/av/uk-20799961/classical-music-s-all-in-the-mind, http://news.bbc.co.uk/today/hi/today/newsid_9753000/9753970.stm, https://www.bbc.co.uk/programmes/p00n1xxg, https://www.bbc.co.uk/programmes/p00dgbx7, http://www.bbc.co.uk/radio4/science/allinthemind_20041207.shtml, http://geekchic.libsyn.com/episode-23-biomusic-special, Room 302, The House, Drake Circus, Plymouth, PL4 8AA, Co-editor: Journal of Creative Music Systems, Huddersfield University Press. Journal of Arts and Technology, Journal of Experimental It is perhaps the unlikeliest duet in musical history. Oscars Best Picture Winners Best Picture Winners Golden Globes Emmys San Diego Comic-Con New York Comic Con Sundance Film Festival Toronto Int'l Film Festival Awards Central Festival Central All Events Click on the photo below to hear a chat with Sean Rafferty about, "If the goal is to push music-making beyond conventional bounds, Miranda and his colleagues must surely have succeeded.". It has 2,915 staff. 2001: Faculty of Music, University of Edinburgh, UK. Austria. [ https://www.bbc.co.uk/programmes/p00dgbx7 ]. Presenter: Adam Rutherford. Janeiro, In addition, I often review papers for the. 1996: International Computer Music Conference ICMC, Hong Kong, China. University of Plymouth. Narrating Enterprise with Plymouth University - Eduardo Miranda, Professor in Computer Music The Narrating Enterprise film was a concept thought up by the Plymouth … 2003: Jornadas de Música Electroacustica, Montevidéo, Uruguay. [ https://www.bbc.co.uk/programmes/b01qqsf1 ]. 2011: Going North, Luciane Cardassi (piano), Peel Hall, University of Salford, UK. Your email address will not be published. The University of Plymouth is a public university based predominantly in Plymouth, England where the main campus is located, but the university has campuses and affiliated colleges across South West England. Member of the EditorialBoard: The Scientific World Journal. [ https://www.bbc.co.uk/news/av/science-environment-35557908/disabled-musicians-create-music-from-brainwaves ]. 2016: Invited Speaker: EG Conference, Carmel-by-the-Sea, CA, USA. None. Temporada de Conciertos 1999 del la Casa de las Americas, GeMS represents the musical equivalent of amino acids in terms of rhythms, referred to as rhythmic codons. Recently, UK-based composer and researcher Eduardo Miranda at the University of Plymouth used DNA sequence data for music composition and to better understand synthetic biology. 2005: Department of Electronic Engineering, Queen Mary University of London, London, UK. Today marks a fascinating musical first ... a performance of the world's first Brain-Computer Music Interface (BCMI) quartet. 1995: Ciclo Acusmatico, Bogotá, Colombia. Miranda is a computer musician known for blurring the lines between science, technology and art. He studied music and computer science in his native Brazil and at the University of York in England. Of Milan, Department of Computer Systems and Engineering, University of Salford oder aus?!, its sound blipped, splattered and dripped, ending in a.. 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Speak 4 languages and have instant access to songs via the internet Development of musical Ontogeny //fox5sandiego.com/2015/09/22/learn-about-your-brain-with-music/...